Saturday, September 16, 2006

"Well, let's have lunch. Everything looks better after lunch."

(--Winston Churchill, supposedly, after he was informed that the Nazis had flattened Coventry).

So yesterday was a cold bleak dark-grey rainy day, and I was in a cold bleak dark-grey rainy mood. Mind racing at 3000 mph; mentally writing a particularly angry and tearful piece for this here blog, probably having yet more to do (loosely) with the stupid 9/11 5-year marker, and associating to a few other things, some political, some very personal. Ended up spilling my guts and a lot of tears at the shrink instead. It all came out rather eloquently, if I may say. Would've been a great performance piece, really. very King Lear, with detours into Beckett and maybe some Jacques Brel, and Chris Durang, and South Park. and philosophy, and a sort of strange lyricism at times, and a lot of swearing. You would've been impressed, really. or so i was thinking at the time. anyway, didn't write it down. lost to the winds. so it goes. may be as well. Anyway, once you find yourself trying to have experiences/feelings/ideas in order to write about them rather than the other way around, you've pretty much lost the plot, imho. Maybe I'll talk more about that shit one day. Would've made the last 9/11 piece look like "Sunny Side of the Street." Wait for the next rainy day, the next underslept night and underfed day, the next pointless thrash with pointless people.

but so I come out of there feeling like I've gone through the proverbial wringer. It's raining harder and I'm feeling lightheaded with hunger, if not experiencing it as actual appetite, which is a tad worrisome. Whatever feeble pretense at plans I've had for doing anything "productive" (hand out resumes, go home and work more seriously on this here job hunting thing, hook up the phone, certain other mundane shit I've been putting off and putting off, yadda)--not even a question. The only real question for the rest of the day is: where and what and when do I eat?

And at first I'm tempted to skip the whole thing and just go home, as nothing's really appealing to me and I'm worried about dwindling funds.

but then I reconsider: it's downtown, I've got nothing in, I'm not up for a grocery shop, there's no decent takeout, and if I go back to Queens and especially go sit in front of the computer there is an excellent chance I will just keep not eating and eventually make myself sick.

I end up going into this little seafood joint that I've been to a few times in the past, not for a good long while. Not cheap, especially for lunch. But I'm cold and I'm hungry and it's right here and they have SOUP and well fuckit.

It's jumping, I forgot they're always busy. They seat me at the counter, high near-backless stool, back to the door (and thus a draft). I'm starting to go into endless second-guessing mode, which drives me crazy: should I leave? should I stay? what if?... what if?... fuck this. All right, I say to the guy, give me a bowl of clam chowder and then I'll see. And a coke, sure. Caffeine and sugar: exactly what I need right now. Maybe that's even true.

The door keeps opening and closing. It's not real warm and I'm fidgeting. I have one mental eye on my wallet and am thinking maybe i'll just scarf the chowder and push on.

A small woman comes and takes the stool next to me (the only empty one in the place). Greets counter guy like a long-lost friend. Exchanges hellos and pleasantries with a few other customers as well. Places her order: the cod, yes, you know what I want. and, it's not on the menu, but do they have any more of that wonderful asparagus? If not, sure, the green beans will be fine. And you know how I like my cod: "almost wiggling."

I am: drifting.

Eventually, my soup comes. White and rich and smooth and just dusted with flecks of green chive and black pepper. And very very hot. I don't like very very hot. I am staring at it and poking it with the spoon, waiting for it to cool a bit.

As I am doing this, I realize, the woman at the next stool is speaking to me:

"Isn't that a beautiful soup?" she says.

I turn a little and really look at her for the first time. Damn, that was heartfelt.

My first impulse is to offer her a spoonful--I was raised in the firm tradition of exchanging "bites" and sharing in restaurants, at least among family and friends--but reconsider: it's a tad awkward and over-intimate with a stranger, and especially with soup; I only have one spoon. Instead I just smile and say "yes."

The woman chats away with someone sitting catty-corner to her. I am warming up a bit. I drink some soup.

As I nibble on some of the tender pink and white bits, clam and bacon and potato, I cross-associate, as often happens, to a random book I've read at one point or another; in this case, the "Little House Cookbook" (yes. i have eclectic tastes), specifically the part where they talk about Laura's ecstasy upon tasting oyster soup for the first time, what a rich and exotic treat that must have been for a not-rich girl on the landlocked prairie, not so very far into the Industrial Revolution.

I have never had oyster soup, I think, idly.

The woman's now just sitting there, and, on impulse, I ask her,

"Have you ever had oyster soup?"

It's a bit odd, but not fatally so. "Yes?" the woman says, a bit quizzically. Then, on safer ground, "oh, the soup at Grand Central Oyster Bar is delicious, too. All their food. Oh, I love that place."

I wanted to press her, explain that I was trying to find out whether oyster soup in fact tasted substantially different from clam chowder, but it's not gonna go there; it's cool. We chat a bit about Grand Central, which I think I have been in once, and some other restaurants, other wonderful foodstuffs. I mention my yearning for Maine-style lobster rolls (hot, butter, as opposed to the cold-and-mayo'd deal they do at this place). The countery guy comes back just as I'm finishing this reverie; behind him, someone is just getting a plate of fried oysters.

Rarely and blessedly decisive, I ask the guy for an oyster po'boy, hold the tartar. The woman beams. Excellent choice. I feel a bit better.

I excuse myself and go to the bathroom. When I return, my sandwich is there, and the woman is already slicing into her fish. Fat green asparagus on the side; guess they did have them today. The asparagus looks wonderful. I eyeball Mount Fried and fret a bit over whether this was a good idea, digestion-wise; I'm not ill but I'm still not quite...right, somehow. Haven't really been for a while, feels like.

The woman swallows her mouthful and says,

"You were gone so long, I kept looking at those oysters, and, well..."

"You were thinking about just...TAKING them?"

She grins, a little mischievous.

I grin back. "Would you like one now?"

"Oh, no, no." Then, "I come here all the time. It's WONDERFUL."

I eat some oysters. We both ruminate for a bit.

Eventually the woman catches me eyeballing her asparagus and offers me a spear.

I say, "trade you for an oyster?"

She grins even more widely; there is a shyness as well as genuine delight at the idea. "Yes!" Very Molly Bloom; or, well, opening stages at least.

We make the swap. The asparagus is really good. It occurs to me that I really haven't been eating nearly enough green vegetables lately. It also occurs to me that if I had regular magical access to vegetables that tasted that good, I might eat them more often. It also also occurs to me that I am being unnecessarily self-pitying and to knock it off, for heaven's sake.

I swear she moans a little as her teeth sink into the oyster.

Somehow we're all now chatting away, her and me and the two men sitting catty corner, with an occasional hail and (well-mannered) holler to someone entering or leaving. I forget what we talked about. A few things. Always came back to food, though: what we're eating, what we've eaten, what we will eat, what we'd like to eat. Counter guy brings one of the men a piece of blueberry pie with a slab of cream on it. My seat-mate swoons a bit. We discuss, with increasing animation, the desserts at this place; have I ever had their chocolate mousse? do I remember? do I! too bad it's such a huge portion. Who could finish it? Well, I think I actually DID, once, but mumble mumble anyway.

Sometime between then and the mens' departure (whereupon the woman will say to the counter guy, "you know, I thought at first they were father and son, but I think they might be...together?", making me laugh out loud. They might be; the meal I've just eaten might have been somewhat high in cholesterol), the woman makes me an offer:

"What do you say we split a chocolate mousse?"

"Oh!" I say. "Ohhh. Hmm." Truth is, I'd mentally written off dessert, or really any more food like, ever, but...yeah, fuck, twist my rubber arm, and anyway I'm rather charmed.

She then backpedals a bit: "Should we? What do you think? We don't have to. You did eat more than I did"--I raise my eyebrows at that one--"...it is a very big portion...should we? They can put it on two plates, so...that's a half portion. That's not so much. What do you think?"

I get serious. "Well. It's true: two plates means we each get half. And we'll each have our own spoon, so that effectively divides it in half again. Also, it's raining out, and that halves it again..."

...she's laughing.

"...so, what do you think? I'm gonna leave it up to you." Uh-oh: that phrase. That shy mischievous grin again.

I say, "You want to, don't you?"

Grin becomes giggle.

I seal the deal: "And besides, I've never shared chocolate mousse with a stranger."

Enchantment, clapped hands. Summon the counter guy, who is by now an old friend. Guess what we've decided to do!!!

I figure this might be a good point to introduce myself, and do so. She has a name, too, turns out. Who knew.

It arrives. The theme music from 2001 is playing softly in the distance; or it should be. There is a moment of silence. And then there are many soft happy little noises. Seriously, this stuff is MAINLINE. Later, when the chef comes out ("oh, I want you to meet ___, he's my favorite person here, lovely man and such a WONDERFUL cook), he informs me that it's not butter or cream, it's butter AND cream. and the chocolate is so intense it's barely even sweet. and, yup, fresh whipped cream on that, too.

The woman is coming pretty close to Meg Ryan's infamous scene in "When Harry Met Sally." Fortunately I am already having what she's having. I tell her,

"I really like how much you enjoy your food."

She, well, doesn't blush, but some equivalent. She swallows, and says,

"Eating is wonderful."

"Yes."

"And it's such a privilege. Look at how lucky we are. Sitting here. Eating chocolate mousse. With all that's going on in the world..."

About a thousand feelings rise up, flutter around, and subside again somewhere beneath the oysters. I simply say again, quietly, "Yes."

We stop with about one and a half tablespoons left. My companion, my comrade-in-eating, insists that I take it home. I suggest that maybe it makes more sense for her to take it, since I'm going all the way back to Queens and she so obviously lives in the neighborhood...

(This is a New York I had not quite forgotten about, but hadn't really been in my consciousness for a while either)

She is quite firm: she couldn't possibly. I can have it later tonight! Although, I did have a lot of lunch, she says, again. "Thanks, I needed the reminder," I say, a tad drily. She laughs. There's no meannness in it.

The place is winding down for the afternoon, and so are we. We settle our bills and say our farewells. See you again. Perhaps.

She goes off into the rain; I head back to the restroom first. At the entrance to the bathroom, on the wall, there is something I hadn't noticed last time: some sort of menu or flyer for some event the place had evidently sponsored or been a part of, once. Not sure what for: a charity of some sort, perhaps. What I did see, what I'd missed last time, in big bold letters:

SHARE


FOR MORE LIFE

29 comments:

Bitch | Lab said...

see, this and the story of the man you met in the park who asked you about the book you were reading? (after he'd been talking to some guy who seemed annoying) These are stories I think you should submit somewhere. You are very good at this kind of writing -- observing daily life and recounting how a conversation went down. i know nothing about fiction techniques, so i obviously have no clue. but i know what i enjoy and what I'd read were it in the pages of New Yorker. In fact, the last time I read a story in New Yorker... well, this was better than that one.

belledame222 said...

Thanks for that. --*Better* than the New Yorker. wow.

Yeah, I had been wondering what I'd make of this blog, organization-wise, for a um, uhh...

(spaces for a moment)

...clippings. That.

maybe collecting all the New York pieces might be a start. I was thinking about doing it with Technorati tags or something anyway.

Amber said...

I agree with BL. This is a beautiful post. You definitely should submit this stuff somewhere!

I need to write about the conversation I had with a Korean woman in Washington Square Park in 1998...

Kristin said...

Belle~ Hats off for the finished product, but how I would have liked to have paid for your meals just for being the two of you.

Bitch | Lab said...

Yep. This one is a good short story in and of itself. Develop the convo, go off the ranch from whatever really happened, whatever you fiction writers do. i've only ever come close to fiction twice and, to do it, i have to be in a zone where i'm not able to see anything and it's all guided by aroma's that i imagine that are plainly not there. beatsdafuckouttame.

but whatever fiction writers do, this certainly can be whatever wordage a short story needs to be, eh?

IS the BLOW lit mag that i blogged about too small time to submit to? I have no idea bout these things.
www.blowsite.com

belledame222 said...

dunno much, either, tell the truth; never really considered myself a fiction writer. not in prose, anyway. will check out the link, thanks.

Bitch | Lab said...

by yep -- i meant collecting all the NY stories. the kitty one would make for a good one, too.i don't know if you'd intended it that way though. still, it has the bare bones structures of a good short story.

someone once called me the US Alice Murdoch. Do you write lik eshe does? (I never had time to read her to find out what he meant by that. should try.)

belledame222 said...

I don't know as I have, no. I've had many recommendations, though. especially her latest, Snow Queen, is it? or am I thinking of someone else.

you know, I have all these fiction and writerly links in the roll, but rarely if ever get around to checking any of them; by the time i'm done with even as few political/personal blogs as I check and go off on a rant at something on one of them...

Bitch | Lab said...

well, actually, now that I think about it, what he was pointing to was the way I use memory as a jumping off point to do sociology, but end up telling a story. which is what sociology is about -- not the memory part -- but the 'sociological imagination' as C Wright Mills understood it.

What I hear you saying, of course, and as you know is: I know that I know what I should do, but I'm blocking and not doing it.

I will head up a personal kick you in the ass team. LOL

But, somehow,I think you don't really want that, either.

Are you in any email-based writer support groups -- people that help each other kick each other in the pants?

belledame222 said...

no, not currently, but it's a really good idea.

and i am kind of longing for a kick in the ass...just, you know, an affectionate kind of glowy one that actually points me in the right direction for a soft landing place...

Bitch | Lab said...

well, from what I understand,there are several writers groups. i have also heard they can be bullshit places full of petty jealousy and cliques, yadda. pay also sux typically.

i can ask around about the better ones at the freelancers' list. it's for freelancers' in the publishing industry -- not usally writers, but copyeditors, book designers, typesetters, packagers, indexers, etc.

i have a link to Writer's Market on the blog roll under writing and editing. I use it for pricing project bigs mainly, but I'm guessing there is other information there for fiction writers.

Bitch | Lab said...

and yeah, set yourself up with a real blog, an identity, etc. when you get a chance. do I have to kick you in the pants for a soft landing on how to plan this all out and make it happen. coz i will ! :)

i'm really serious.

also, i wish we hadn't just sold it, but there's a great book I bought an ex once. Heard her on NPR driving to work one day and it was perfect for creative people who find themselves in jobs that aren't exactly in their field and how to deal with that.

It's well written and, I thought, inspiring. I don't usually go in for the Carol Steiner Rice stuff. I'm pretty hardnosed about it, but this actually made a lot of sense.

http://www.amazon.com/Creating-a-Life-Worth-Living/dp/0060952431

belledame222 said...

I actually have a big Writers' Market gathering dust somewhere; it -should- still be this year's.

yeh, I'm thinking--well, on the WELL there are at least two groups; one's pretty much for journalists, the other's more broadly for writers of all sorts, professional and others. The latter has a much more welcoming, gentle tone, but the former is where you find more trade advice.

lemme think about this a bit.

but yeah: some sort of network. i mean specifically related to this.

Ed Ward said...

What that is is an Old Skool New Yorker Talk piece, done Nu Skool.

As you've seen, people respond.

When I had a magazine over here in Berlin, I tried to make my writers understand how very valuable these pieces are for helping people understand where they are, where they're living. They didn't get it. I even had a page for it called Our Town, which I mostly wrote under various pseudonyms. I'm still writing them from time to time, and there are a few on my blog, most notably ones titled Another Night On The Town and An Actual Heartwarming Berlin Christmas Story which get lots of hits -- the former from Iran, which you'll totally understand when you read it.

Thing is, the magazine which could print stuff like this doesn't exist. There's nothing but the New Yorker, and that's a club that's very hard to join. I think Americans are losing their cultural literacy as a result. But mostly I'm pissed off because you and I and dozens of others who want to and can write this kind of stuff can't get paid for it.

Which, I guess, is one reason I've got my blog.

belledame222 said...

-sigh-

belledame222 said...

Would you use this sort of thing as "show me an example of your writing" introductory clippage, at least?

Is it considered o.k. to submit blog entries as clips for "real" media? Of any size? I don't even know. I do have some actual published newspaper clips, but they've got some years on them, and frankly, I don't think even the best of them is nearly up to what I do now, quality-wise.

one of the many small things that's been hanging me up over submitting work...

belledame222 said...

...Salon? Salon doesn't really do this sort of thing either, do they.

belledame222 said...

BL: when you say "identity," you don't mean "real name," do you?

Which, well, truth be known, I'm really half-assed about covering it already; clearly lots and lots of people already know who I am and/or what I look like; just, I dunno, something.

I mean, it's not like I...

well, always cautious. I don't -think- I really have anything to lose; but seems like some happy asshole can always find something. And the happy assholes are already there, I know; I have been seeing their trolly little hoofprints lately, here n there.

Sage said...

I liked this too, and with the kitty story, it really give the feel of where you live. Makes me wish I lived in a REAL city.

Do submit it. I submitted a story to a silly little paper and they told me I write like crap. That's the absolute worst that can happen. And I didn't even flinch!

Write, submit, and don't hang on to any expectations.

belledame222 said...

O I know. at some level i don't -think- it's even about rejection per se, it's, well...what is it, exactly? Maybe it really is that simple, but, somehow...

Dan L-K said...

One necessary caveat: It's very possible you won't actually be able to sell, e.g., this piece without almost complete revision - not because of any issues of quality, but because what most paying markets are actually paying for is first publication rights, and you burn those when you post something in a public place on the Interwebs.

There are ways around this; frex, this is one of the things a Livejournal is good for, because you can friends-lock entries like this and they're not considered public any more.

(Disclaimer: IANA publishing professional, nor a copyright lawyer. This is not a substitute for professional advice.)

belledame222 said...

Really? Self-publication on the Internets counts? Or does all my stuff are belong to Blogger?

I could always take down the post, I suppose. shrug.

I dunno how it works really. i should have a better idea by now but it's like i can't focus or something.

JackGoff said...

Just to say, beautiful. Made me smile after a piece of shit day. 8^)

Dan L-K said...

Yep, posting online - as I understand it - counts as "publishing" for purposes of first-publication rights. Even if you do take it down, unfortunately; a publisher will search Google archives/the Wayback Machine or similar to avoid embarassing themselves.

If you're interested in navigating the often strange technicalities of this sort of thing, the boards at Absolute Write are a fine place to start and an all-around good resource.

Bitch | Lab said...

LOL sorry. that was my job slipping through.

identity = brand.

Bitch | Lab said...

yes. copyright law means you've already published. but you can sell you right to it, which means you delete it.

you can get a worpress based blog and have locked posts for your support group only, too.

i only recommended something that makes it evident that you are *professional* -- your own domain name -- and something that you can make your own to reflect your identity.

i know a totally different market, but a person i know who just published a book at Wmart said that when she pitched her story, she got dressed up. She was told at the pitch that a lot of writers come to a pitch like that looking very dressed down.

as much as we hate it, appearances count, so having a web site which doubles as blog is a pretty inexpensive way to give people a sense of who you are, a hook, etc.

look and feel is the first thing that will hit them. and one thing you are about is sensuousness. so, why not take advantage of that?

but since you are also so good at simply observing, this also makes you someone who could also be a writer who does the cultural beat -- like Ariel Levy does normally.

you might be able to get your foot in that door. there are zillions of zines out there looking for work. www.blowsite.com is one. Rachel Moran, a local writer, publishes her stuff in various places, works for the local Alt Weekly occasionally.

belledame222 said...

I'm totally up for a more personalized "real" blog. and def like the idea of locked posts for a whole bunch of reasons.

actually already have an idea of what i want to do with the head or sidebar, pics; altho' i think i might run into copyright crap with a couple of 'em. but a theme, yah.

Amber said...

What's Wmart?

At first I thought you meant Wal-Mart, and I was confused.

But then I went to wmart.com... I'm still confused, though.

prosphoros said...

Aawwww.. :)

That story made a grey, rainy morning much brighter. Thanks.